Modern dilemmas
'I hope you don't mind,' he apologized. 'One feels that once Bach has started his pattern he should be allowed to finish it. Besides,' he added, glancing at the playing-cabinet, 'we still lack a code for dealing with these innovations. Is the art of the musician less worthy of respect simply because he is not present in person? What is the gracious thing? — For me to defer to you, for you to defer to me, or for both of us to defer to genius — even genius at second-hand? Nobody can tell us. We shall never know.
Of course he also answered his own question by refusing to interrupt the recording: we defer to genius, albeit second hand genius. I can identify with that; especially if we're talking about the Bach Double Violin Concerto which, although it's never specified, is what I've always assumed he was listening to.