Dec. 15th, 2007

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Today's Guardian Review featured simply divine essay by James Meek on the wonders and delights that resulted when:

... I resolved that I wouldn't pretend to myself any more that I knew what a word meant when I didn't, or that the context was enough to understand it, or that I'd find out what a word meant one day, but not today. I would set my rudder against the prevailing attitude, which is that anyone who doesn't know a word we use is a fool, and anyone who uses a word we don't know is a snob. I'd look the words up then and there, and write the meaning down. I might even learn them; so help me, I might even use them, although I doubt I shall live long enough to work "banausic" and "threnody" into the same sentence (Margaret Boerner of Villanova University: it is you and your website that I refer to).

Particular interesting is the way that Meek's list of unknown words formed a negative image of his own background. Had he been a scientist — he admits to having been a literature student — I doubt he'd have had any difficulty telling his abscissa from his albedo. And had he been a philosopher of science or a student of architecture, I doubt he'd have left spandrels — although he gets kudos for mentioning squinches, always my favourite form of corbelling — out of his final paragraph, a coruscating cascade of architectural argot:

Sometimes, when you look at a building through the eyes of a writer, it is right to to be urged to see the caryatids, the loggia, the narthex, the parterre, the pilasters, the squinches; sometimes it is better to read "house" or "cathedral", and be left to construct the rest yourself.

Pure joy from start to finish.

sawyl: (Default)
Pursuing the aforementioned squinches and spandrels, I notice that I have allowed my copy of Darwin's Dangerous Idea to gather a certain amount of dust. I now feel intolerably guilty, not for being so slatternly as to allow the dust to gather in the first place, but rather for allowing so much time to have elapsed since last I dipped into Dennett's masterpiece.

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