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A pleasant discovery in the shape of Petr Eben's prologue to his adaptation of Comenius' The Labyrinth of the World and the Paradise of the Heart. It's an interesting piece — although Eben suffers rather from not being Olivier Messiaen — and the rafter-rattling dialogue between the tuti and the rĂ©cit in the opening is particularly satisfying on the dramatic modern organ of Evreux Cathedral:

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sawyl

August 2018

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