Messiaen's sweet tooth

[sawyl]

It seems as though Olivier Messiaen's life really was simple and blameless as might be guessed from his music:

For the last three decades of his life, Messiaen lived with his second wife, the pianist Yvonne Loriod, in an old building in the eighteenth arrondissement of Paris, in the area of Montmartre. As Peter Hill and Nigel Simeone report in their biography of the composer, the accommodations were fairly spartan, with one communal bathroom on each floor of the building. The main living quarters were decorated in devout Catholic style, plastic crucifixes all around. When the composer and conductor Esa-Pekka Salonen called on Messiaen, he looked to see what books and records were on the shelves, but could find only a copy of the Bible and various recordings of Messiaen's own works.

No one reported anything like a seamy underside to the composer's personality. The conductor Kent Nagano, who collaborated closely with Messiaen in his last years, was once pressed to tell some unflattering or otherwise revealing anecdote about his mentor, and all he had to offer was a story about how Messiaen and Loriod had once devoured an entire pear tart at one sitting.

Elsewhere, Alex Ross reported that Messiaen's sweet tooth played a role in the commissioning of Des canyons aux étoiles…, which the composer reluctantly agreed to undertake after being plied with an enormous cake covered in crême chantilly and pistachios.