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With the hugos deadline past, I think it's worth saying that I didn't really struggle with most of this year's decisions. I thought the novella & novelette categories were strong, the novels were a bit of a curate's egg, and the short story selection was too limited to say anything about.

My favourite discovery of the year was Max Gladstone's Three Parts Dead from the list of Campbell nominees. A sort of post-Perdido steampunk fantasy, it imagines a world where technology is welded to magic and magic is treated like a tradable commodity. Consequently, gods can go bankrupt — a fatal process for a non-material being! — while human crafters, often brought in to clean up complex magical messes, are equal parts wizard and lawyer. Very highly recommended.

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