Shanghai Sparrow
May. 24th, 2014 12:23 pm
We first meet Eveline Duchen as protean young criminal, casing a rich house for Ma Pether, her protector and mentor in all things criminal. But despite her mastery of disguise, Evie has caught the attention of Thaddeus Holmforth, a ambitious and fantastically loyal civil servant who needs Evie to steal a mysterious device from a Chinese inventor. Snatching Evie of the street, Holmforth has her enrolled in a new school for female spies — a place that turns out to be a dumping ground for the illegitimate daughters of the ruling classes — where she is to learn Cantonese and Etherics in addition to the usual bits of trade-craft.
Having populated the cast with some solid Dickensian staples — chirpy criminals, sinister benefactors, and overbearing teachers — Sebold establishes her time period through references to the Opium Wars and the behaviour of the British in China. The cities packed full of steampunkish anachronisms, from the brass gadgetry Ma Pether spends her time tinkering with to the dirigible service that carries Holmforth from Shanghai to London in less than a day, with the fair folk still present in some of the more rural spots.
With the school story firmly established, the structure shifts to allow Evie's backstory to unfold through a series of flashbacks to her early life. From an idyllic rural start, complete with loving but poor parents, a younger sister, and a fairy friend, the Duchen family are beset by a series of tragedies that leave them at the mercy of Evie's indolent and occasionally malign maternal Uncle James. But life at school isn't much better than life with either Uncle James or Ma Pether: the conditions are harsh, the French master is positively predatory, with Holmforth's exacting agenda hanging over everything like a sword of Damocles.
Despite liking Shanghai Sparrow, especially the strength of Evie's voice, the character of Liu, and the detail of the background, the conclusion felt a little bit hurried while the fairy aspect seemed a little underdeveloped. I liked the critical way Sebold dealt with Holmforth's fanatical devotion to the Empire — it's clear why he believes what he does, why he glosses over things that contradict his worldview, and why his faith is misguided — and the way she doesn't shy away from the racism that characterises much of steampunk's source material...