sawyl: (A self portrait)
In the mood for something steampunky and not terribly serious, I picked up Gaie Sebold's Shanghai Sparrow on the basis that I'd enjoyed her Babylon Steel novels. Although there are some similarities of structure between the two books, Sparrow is lighter in tone, without the complex plotting of the sword-and-sorcery books.

We first meet Eveline Duchen as protean young criminal, casing a rich house for Ma Pether, her protector and mentor in all things criminal. But despite her mastery of disguise, Evie has caught the attention of Thaddeus Holmforth, a ambitious and fantastically loyal civil servant who needs Evie to steal a mysterious device from a Chinese inventor. Snatching Evie of the street, Holmforth has her enrolled in a new school for female spies — a place that turns out to be a dumping ground for the illegitimate daughters of the ruling classes — where she is to learn Cantonese and Etherics in addition to the usual bits of trade-craft.

Having populated the cast with some solid Dickensian staples — chirpy criminals, sinister benefactors, and overbearing teachers — Sebold establishes her time period through references to the Opium Wars and the behaviour of the British in China. The cities packed full of steampunkish anachronisms, from the brass gadgetry Ma Pether spends her time tinkering with to the dirigible service that carries Holmforth from Shanghai to London in less than a day, with the fair folk still present in some of the more rural spots.

With the school story firmly established, the structure shifts to allow Evie's backstory to unfold through a series of flashbacks to her early life. From an idyllic rural start, complete with loving but poor parents, a younger sister, and a fairy friend, the Duchen family are beset by a series of tragedies that leave them at the mercy of Evie's indolent and occasionally malign maternal Uncle James. But life at school isn't much better than life with either Uncle James or Ma Pether: the conditions are harsh, the French master is positively predatory, with Holmforth's exacting agenda hanging over everything like a sword of Damocles.

Despite liking Shanghai Sparrow, especially the strength of Evie's voice, the character of Liu, and the detail of the background, the conclusion felt a little bit hurried while the fairy aspect seemed a little underdeveloped. I liked the critical way Sebold dealt with Holmforth's fanatical devotion to the Empire — it's clear why he believes what he does, why he glosses over things that contradict his worldview, and why his faith is misguided — and the way she doesn't shy away from the racism that characterises much of steampunk's source material...
sawyl: (A self portrait)
Towards the back end of last year, I wolfed down a couple of Gaie Sebold's extremely enjoyable swords and sorcery novels, starting with Babylon Steel. Set in the city of Scalentine, a sort of inter-dimensional nexus, it follows titular heroine, mercenary proprietrix of the Red Lantern brothel, as she takes on a side job to make ends meet only to find herself dodging things from her past.

The story opens with Babylon realising that they may well not have enough to pay the Red Lantern's tax bill. So when the mysterious Darask Fain shows up offering a substantial sum to rescue a young woman with striking eyes who may just be the link between the Gudain and the Ikinchli, she jumps at the chance. Looking into the matter Babylon learns that a particularly brutal murderer, who might just be tied up with the Vessels purity cult, is preying on vulnerable women and she starts to worry that her target may have been killed rather than simply abducted.

All of this plays against the vivid backdrop of the city, virtually a character in itself, just a grand celestial conjunction — a syzygy of syzygies! — promises to bring its weirdness and that of its inhabitants to their apogee. The cast, especially the crew of the Red Lantern, are well developed and much of the story is drive by Babylon's desire to do right by her friends: Flower, her trollish cook; Laney, the flakey fairy princess; Previous, her bouncer; Kittack an Ikinchli bar owner, friend and sometime customer; and even Mokraine, a powerful magician turned derelict emotional vampire by a spell gone horribly wrong. It's clear from the outset that Babylon is more than a bit in love with Chief Bitternut, the werewolf militia captain, and that he's in love with her but doesn't seem to have got round to doing anything about it.

Unfolding in parallel with the main action, each of the chapters begins with a section telling the story of Ebi, an orphan child living on desolate world dominated by a group of demigods. It's immediately obvious that Ebi is Babylon, that she is somehow tied to the Babaska, the goddess of love and world, and that she is on the run from her previous self. So when the demigods appear in Scalentine ahead of the syzygy and start making enquiries, Babylon has to decide whether to run or whether to confront her past whilst also trying to reconcile herself to the impact of her eventual decision on her friends.

The backstory puts Babylon Steel's character into perspective, not least explaining her twin roles of brothel keeper and mercenary, whilst also widening the scope of the story to encompass the multiverse beyond Scalentine. Ebi's home plane of Tiresana may have many gods, all represented by actual living avatars, but the world beyond the temples has a moribund atmosphere expressed through the population's nostalgia for the better days of previous generations. Having seen the desolation at first hand, it's only too easy to understand why a naive child like Ebi feels honoured to be chosen to serve the avatars and why she makes the decisions she does.

As might be expected, the past and present begin to collide with each other just as the grand conjunction is about to cause all sorts of trouble to breakout across the planes. But when the crunch finally comes, Babylon finally comes to understand just how good her friends are and why she has a duty to finally confront the problems of her past-self.

Definitely recommended.

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August 2018

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