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After a brief pause — oh, alright, three years — I'm rereading Mike Carey's Lucifer. Since I've already mentioned the first three trades, I'm going to resume with the fourth, The Divine Comedy.

Inverting Dante's structure, the volume opens with Paradiso, which finds Lucifer opening the gates of his new cosmos to those who want to leave God's creation on condition that they renounce the habit of worship. Unfortunately, the devil's enemies — the Basanos, the living tarot deck he encountered in Hamburg, and Susanoo, the Japanese god of storms — are maneuvering against him, finally enacting their long ago laid plans.

Struck down in his pride, Purgatorio finds Lucifer helpless and near death, with only the ambivalence of the angel Melios for help. After a cameo appearance from Death of the Endless and some help from Elaine Belloc, Lucifer is able to put enough of himself back together to join forces with the Lilim-in-Exile and drive out the invaders. But this good, which comes coupled with Mazikeen's return, has come at the loss of Elaine.

In addition to the two main story arcs, the volume also contains two short stories. The Writing on the Wall is the touching tale of a young and proud centaur who, after dreaming of Lucifer's defeat at the hands of the Basanos, travels to earth to warn him only to find that a lifetime has passed in Lucifer's cosmos and her home has been lost to her. Living a second life and attempting to correct her mistakes, she finds herself old and uninterested in intervening in present events when her dreams finally become reality.

The second story, Breaking and Entering, follows the fallen cherbim, Gaudium and Spera, as they break into the House of the Sleeper to recover a mummified corpse that grants wishes, in the hope that they might be able to use it to help Elaine. After experiencing various disasters — unbreakable thread breaking, bringing the wrong sort of bird with them, that sort of thing — they're eventually rescued by the archangel Michael, apparently in return for a cup of tea...
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Skimming through my back issues of Lucifer, in an attempt to catch up with the plot, I've been reminded that I haven't written up any reviews of anything after volume 2. Well, I think it's about time I corrected the situation.

The first part of A Dalliance with the Damned follows Mazikeen and Elaine as Lucifer's involvement with his new universe allow them to head off in their own directions. In Mazikeen's case, this means returning to lead Lilim-in-Exile in search of a new eden, and in Elain's it involves an astral journal and a near fatal run-in with the devilish Lady Lys in the depths of hell.

The second part focuses on the hellish court of Lord Arux, currently caught up in a vogue for all things 18th century, where some of the dukes are conspiring in an attempt to get Lucifer to return. Unfortunately for the conspirators, Lucifer isn't all that interested in his old job and, with the help of Lys's human lover Christopher Rudd, the plot is confounded. Lucifer then returns to LA, safe in the knowledge that Arux will provide a place for his forthcoming dual with the seraph Amenadiel, to contemplate the disposition of his new world.

Thoughts? I liked the way that Dean Ormston's art bookended the middle sections by Peter Gross. I liked the nods to old friends like Brute and Glob, Duma and Remiel, and I thought that the intrigues of Arux's court were nicely captured. Christopher Rudd's moral dilemmas were interesting and Lys, with her Valmont like transformation from libertine to something more interesting, has definite potential.
sawyl: (Default)
It's been a couple of weeks since my last Luciferian exegesis, so it's probably time for a few thoughts on volume two, Children and Monsters.

With the seal successfully cracked on his Letter of Passage and a gateway established, the former Lord of Hell leaves Mazikeen in charge of staving off the freaks, monsters and the Host of Heaven, and heads off to the realm of the Japanese god of the underworld Izanami in search of transportation. While Lucifer busies himself with the task of outwitting his hosts to regain his angelic wings and the Seraph Amenadiel readies the Host for war, the Lux piano bar is burnt to the ground when Mazikeen, with the help of Jill Presto, is forced to fight a pair of shapeless monsters.

Upon his return the devil meets up with a priestess who, after breaking her vow of chastity, has been cursed to endure a miscarriage, day after day, for four thousand years. He agrees to break the doom and end her torment in return for the spirit of her monstrous child. Probably no bad thing — he's going to need all the help he can get: Mazikeen is unhappy and the Host have agreed to strike against him despite their concerns at the absence of the Archangel Michael. Meanwhile in North London, Elaine Belloc, she of the mystic skills and Louise Brooks bob from Devil in the Gateway, is reading Gerard Manley Hopkins and being bothered by a narcoleptic New Yorker who claims to be her natural father.

In order to cleanse the world, the Host put the population of LA to sleep allowing them to attack the remains of the piano bar, where they eventually overcome the Morningstar's defences and only to find a nasty surprise waiting for them in the void; Lucifer, meanwhile, has found himself a position on the edge of creation which allows him to see everything, including the lair of the fallen angel Sandalphon when he attempts to kidnap Elaine. After confiscating the source of Sandalphon's power, the devil takes it into the void and uses it to create a new universe.

My thoughts? Another quality collection from Carey, with some nice character work: it was good to see Maz finally get dissatisfied with her lot as Luce's doormat and shocking to see Elaine Belloc's father sudden switch from being a regular, if super preppy, guy to lying paranoid sociopath at the mere hint of the fact that she might have another father. The Host of Heaven were also elegantly done, especially Amenadiel's arrogant conviction of his own rectitude and Raphael's justification for the attack, couched in entirely in terms of saving Elaine's soul despite the loss of life involved. There were a few cameos from old friends including Mervyn Pumpkinhead, Lucien and Matthew, and, in Izanami's hoard, could that be the back of the classic mythological symbol that is Roland Barthe's Citroen?
sawyl: (Default)
It feels like it's been a while since I last wrote a comic review. I blame exhaustion. Now that I've more or less recovered, I think it's time to write about my latest read, Lucifer: Devil in the Gateway by Mike Carey, which astute and memetically aware readers will probably realise was spun off from Gaiman's Season of Mists.

The first story in the collection finds Lucifer, bored with his life as owner of the Lux Piano Bar, recruited by the Almighty to track down a rogue wish granting entity in return for a Letter of Passage. The Morningstar tracks the entity to Paul Begai, a mute kid suffering from Rett Syndrome who appears to have attracted the wish granter with his silence. Following Paul's death, Lucifer and Paul's sister Rachel head off on a pilgrimage to the First World — the primordial darkness where ancient and almost forgotten gods live, accumulating power through the granting of small wishes.

The second story follows Lucifer and Mazikeen as they travel to Hamburg to seek a fortune telling from the seraph Meleos and his creation, the Basanos Tarot deck, in an attempt to discover the nature of the trap hidden in the Letter of Passage. In a panic, Meleos releases the cards from their confinement and freeing them to travel across the city causing havoc, until they encounter and possess the cabaret magician Jill Presto. After allowing them to tire themselves out with a spectacular show of magic, Lucifer and Mazikeen overpower Jill and the cards, before compelling them to explain the one way nature of the Letter.

The third story is a murder mystery, focusing on junior mystic Elaine and her attempts to track down the murderer of her best friend and now ghostly companion, Mona. Acting on instructions from spiritual grandmothers — presumably the Kindly Ones — Elaine attempts and fails to summon the devil to assist her in quest, but after some old fashioned Nancy Drew work she eventually discovers that Mona's death was connected drug dealing and dodgy goings on at her school. Eventually, once the villain who threw Mona off the overpass has been unmasked and lies dying on the floor, Lucifer eventually shows up and saves Elaine, despite claiming that she failed to summon him, telling her that the Basanos suggested that he save her life.

I thought this was a pretty good collection of stories that more than lived up to Gaiman's original character. Lucifer is a suave and sophisticated lead character, superficially attractive but with the sort of ruthlessness that you'd expect from the former Lord of Hell, very much his own man with a refusal to be anyone's cat's paw — at one point, after being told by the emissary of Heaven that he will accept the deal, he says, "You'd think part of omniscience would be knowing when to stop, but still..." Very definitely not the sort of guy you want to pick as your surrogate father figure.

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