sawyl: (A self portrait)
A chance to revisit the world of Robert Jackson Bennett's Divine Cities with City of Blades a follow-up to City of Stairs. In the five years since the first novel, General Turyin Mulaghesh, former Polis Governor of Bulikov, has resigned her position an military liaison and retired to the tropical island of Javrat, where she has taken to drowning her bitterness in alcohol. But when Ashara Komayd, still just about clinging on to her position as Prime Minister of Saypuri, sends an emissary with a job offer, Mulaghesh reluctantly agrees to take on one last job.

According to Shara, a Saypuri agent was dispatched to the city of Voortyashtan to investigate the discovery of a new metal which appears to exhibit miraculous properties; unfortunately the agent vanished without trace, leaving Shara in need of someone more discreet — and discrete from Saypur — to look into the problem. Enter Mulaghesh, who can be dispatched to Voortyashtan under the cover of needing to carry out one last tour of duty to boost her pension. Better still, Mulaghesh has history with the local garrison commander: General Lalith Biswal was her commanding officer during the still-controversial Summer of Black Rivers campaign of their youth.

Arriving in the city, Mulaghesh finds it a hive of activity: the entrance to the harbour, which had been clogged with the remnants of the old city, is rapidly being cleared by the Southern Dreyling Company under the direction of its charismatic CTO, Signe Harkvaldsson. This in turn has raised tensions between the various local clans, some of whom see themselves being cut out of the new trade routes when the port finally opens up new routes into the heart of the Continent, requiring General Biswal to rule with a firm hand — backed by the constant threat of the seige guns he keeps pointing at the city at all times.

When Mulaghesh insists on inspecting the mines where the mysterious metal was discovered, she receives a vision from the past: a Sentinel, one of the elite soldiers of Voortya being chosen by the God of Battle. And when Mulaghesh finds herself assisting with an investigation into a series murders up-country — murders which bear all the ritual hallmarks of the ritual executions carried out by the Sentinels — she starts to believe that, despite the near-concrete certainty that Voortya is dead, killed in the war with the Kaj some sixty years ago, someone has found a way to tap into the power of the God.

City of Blades finds Bennett playing with expectations established in first novel, paralleling many of the plot elements. Thus the main character, an unlikely-seeming outside investigator, is introduced by Pitry Suturashni; the investigator is at the mercy of a political master in Ghaladesh; and the investigator is backed by a powerful local ally — Vohannes Vortrov in the first book and Signe Harkvaldsson in the second. The plot also follows a similar arc, with the investigator looking into the affairs of a predecessor — Shara investigating the death of Efrem Pangyui and Turyin investigating the disappearance of Sumitra Choudhry — both of whom have left a raft of cryptic clues behind them.

But the book is no simple retread of its predecessor. The setting is original and the characters are very different: not least because Mulaghesh, despite the loss of her left arm in the Battle of Bulikov, is extremely willing to do her own arse-kicking. Her history with General Biswal is fascinating, not least because it quickly becomes clear that, whatever the pair's shared history early in their respective careers, their responses to that history have sent them in very different directions. As Mulaghesh memorably notes at one point, war and combat for her are a necessary but appalling ugliness, a thing to be got over and done with as quickly as possible; but for Biswal who, despite his seniority, actually has less real combat experience, war is a game, a grand performance, a thing of honour and show, making him feel conscious of his position when faced with someone as distinguished as Mulaghesh, leading him in turn to commit serious errors of judgement.

The ultimate resolution of the book is finely judged, closing off the story in a way that stays true to the system of magic established by Bennett across both novels whilst also keeping to the spirit of General Turyin Mulaghesh and her view of the world. If anything City of Blades might be better — more subtle, more humane — than its predecessor. And like its predecessor, it ends on a note of hope: yes, appalling things may have happened and many people may have died, but ultimately the world is in a better state than it was at the beginning, with Shara Koymayd and her allies posed to be able to improve it yet further.
sawyl: (A self portrait)
Just before Christmas, on the strength of an enthusiastic endorsement by Kameron Hurley, I decided to prioritise Robert Jackson Bennett's City of Stairs. The titular city, Bulikov, was one the heart of a vast empire backed by the living presence of six gods, only to be cast down and destroyed in a revolution seventy five years before when the Saypuri, previously enslaved by the Continentals, rose up and slew the four remaining gods with a powerful new weapon.

In the years following the revolution the Saypuri ruled the Continent with an iron fist, outlawing all references to the old gods, securing all their artefacts in secret warehouses, and keeping order with troops and military governors. Despite the illegality of the studying the old world, some people have been granted special dispensations to dig into the history, including Professor Efrem Pangyui in Bulikov to investigate relics and miracles on behalf of the Saypuri government. When Pangyui is murdered another student of the history and miracles of the old world, the unprepossessing spy Shara Thivani, arrives in city to investigate the demise of the friend she trained in the trade-craft he needed to negotiate the hostile environment of Bulikov and its conservative political factions.

The introduction we get to the world of the city and the oppression of the Continentals — even the name is an imposition intended to obscure their previous name of the Holy Lands — comes via a court case in which the Saypuri governor is attempting to determine the guilt of a citizen who seems to have appropriated one of the symbols of the old gods for us on his shop sign. The court is clearly divided, not merely because the judges are entirely Saypuri, but because the Continentals are both physically distinct and kept penned up in their own sections. It is also clear from Governor Turyin Mulaghesh's impatience with her fellow functionaries, not least the Chief Diplomat, that Bulikov is used as something of a dumping ground by the Foreign Ministry; a convenient place to put people too influential to dismiss but too embarrassing to keep closer to home.

Following Shara's introduction, we also come to learn a great deal about the history of the Continent. Prior to the revolution, Saypur had been a peripheral island state which, lacking its own gods, had been enslaved by the Continents. By the time of the war, the six original Divines had been reduced to four following the voluntary departure of the goddess Olvos and the disappearance of the oppressive god Kolkan. When each of these four was slain by the Kai, the Saypuri war-leader, their magical miracles and protections also failed leading, in the most dramatic case, to the Blink — the complete reshaping and random warping of Bulikov as it fell in upon itself — following the destruction Taalhavras the Builder. Oddly, despite the Blink and the deaths of the gods, some minor miracles continue to work, both in the city and elsewhere, allowing scholars like Shara, sufficiently well connected to have access forbidden literature, to employ minor acts of magic.

While searching Pangyui's office at the university, Shara and her hulking secretary Sigrud find a document which appears to have given the Professor access to the Unmentionables Warehouse, a series of secret archives used to hold relics and artefacts left over from the time of the gods. Realising that Pangyui was being spied upon by members of a conservative political faction, some of whom seem to be sufficiently gifted to escape a tracker of Sigrud's abilities, Shara realises that her best ally is probably a liberal city father by the name of Vohannes Votrov, who, awkwardly, happens to an ex-boyfriend from Shara's university days. When one of Votrov's fashionable parties is attacked by fantastics, forcing Sigrud to take direct and extremely violent action, Shara's interrogation of one of the survivors uncovers evidence that perhaps the Divine aren't quite as dead as everyone had assumed.

There's so much to like about City of Stairs its hard to know where to start. The world is a fascinating mix of fantasy and science fiction, with its central city forever changed from the sunny and pleasant place it was under the reign of the gods to a warped ruin set in a newly dank, cold, and unpleasant climate. The gods, for all that they helped the Continentals dominate the world for centuries, were clearly a mixed blessing: Taalhavraas was remote and distant; Jukov was closely to his people but wildly capricious and just as likely to harm as help; Kolkan, meanwhile, started out as a god of judgement and, after spending many years hearing the complaints of his people, descended into a strange madness that parodies the most capricious choices of the God of the Old Testament, insisting on death for those who broke any of the twelve hundred rulings he produced in two years.

The political situation too, is well drawn. The Saypuri, having started out as the oppressed, have become the very worst of colonial rulers, insisting on a set of laws intended to completely erase the ideas and identities of their former masters. They have kept themselves almost completely separate — the opening scene in the court room shows segregation at work and makes it very clear that the Saypuri see the Continent as an occupied territory to be ruled by the Foreign Ministry with the help of the military — and this has stoked the resentment of the conservative factions, most of whom are traditional follows of the edits of Kolkan. The situation back in the Saypuri capital is obviously equally murky. Although Shara enjoys powerful political connections, she was forced into exile by a scandal that took place a decade or more which her masters have subsequently used to keep someone who might become a dangerous rival away from Ghaladesh and firmly under control, despite her continued unthinking loyalty those back home.

As if all that wasn't enough, the plot is exciting and engaging with one sharp twist after another. There's plenty of violence mostly courtesy of the savage Sigrud, who at one point takes on a Lovecraftian sea monster armed with not much more than a harpoon and dressed only in animal fat, and plenty of clever puzzles and problem solving on the part of Shara. Governor Mulaghesh is an enjoyable minor character, a veteran soldier whose principal aim is to get herself moved from her relatively prestigious current posting to a quiet backwater on a tropical island, while the bisexual Vohannes Votrov provides a thoughtful contrast to the generally oppressive and conservative atmosphere of Bulikov.

I very highly recommended City of Stairs; it's definitely one of my favourite books of 2014 and must for anyone who enjoyed Hurley's The Mirror Empire...

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