sawyl: (A self portrait)
Via insideHPC, the news that IBM have used advanced analytical techniques and really big computers to determine that... steampunk is going to be a huge thing. Really? Who have thought it!

Which reminds me: I really ought to add a top hat and a pair of raclette-proof goggles to my shopping list...
sawyl: (A self portrait)
Following on in sequence from my last book post, my official first book of 2010 was George Mann's The Osiris Ritual which is set a few months after the events of The Affinity Bridge and is set in the same alternate version of 1901 London.

The morning after attending a society party to celebrate the latest discovers of the Egyptologist, Lord Winthrop, Sir Maurice Newbury finds himself ordered to Waterloo to deal with the repatriation of the enigmatic Caspian, one of Her Majesty's agents in St. Petersburg. When the man fails to appear on his appointed train, Newbury starts digging into the man's past, only to discover that Caspian's past is somehow tied up in the disgrace of Newbury's immediate predecessor, the brilliant and unprincipled Aubery Knox.

When Winthrop is discovered murdered mere hours after his triumphant party, Newbury initially suspects that the aristocrat has fallen victim to a professional rival. But when the rival turns out to have an ironclad alibi, Sir Maurice starts to suspect that the case of the mummy's curse might be linked with the case of Her Majesty's missing agent.

Veronica Hobbes, meanwhile, has been investigating the disappearances of a string of young working-class women and has finally managed to correlate some of them with appearances by a stage magician called The Mysterious Alphonso. After an inconclusive initial encounter with the magician, Veronica finds herself becoming increasingly obsessed with her case, to the point where begins to neglect her primary duty: keeping a watchful eye on Newbury. And Newbury is definitely in need of watching for, although not drifting into occult danger, as Knox did, he is gradually drifting further into drug addiction, having taken up visiting opium dens in order to help him deal with his investigative workload.

The Osiris Ritual seems largely to avoid the problems that bothered me in The Affinity Bridge. The plotting seemed to me to be much tighter, with the stands coming together much later in the novel, and the characters seemed much stronger and more developed than in the first book — I particularly liked the way that both the main characters struggled to balance their obsessive desires with their duties.

Thus Newbury is fully aware of his gradual slide into addiction, but he justifies this by claiming that opium is not just a weakness but something that allows him to focus his abilities and become the best detective he can truly be, even as the drug starts to undercut his ability to function effectively. All of which gives him depth of character, describing insecurities largely missing from the first novel, which make his growing worries about Aubery Knox more convincing; for if Knox, described by all as a great genius, could fall, how easy would it be for Sir Maurice to do the same?

Hobbes, too, finds herself struggling with her desire to help the dispossessed — something fueled by her inability to help her sister, who is clearly dying despite the best efforts of the doctors at the asylum — and her duty to protect Sir Maurice from himself. Obviously troubled by her orders which, if they were known to her partner, would undercut his self-esteem yet further and make him more likely to fall into the ways of his predecessor, Hobbes follows a course of action that places her at great risk and makes things far worse than they might otherwise have been.

Even the less significant characters came across more strongly than in the previous novel. Sir Charles Bainbridge got to reveal the humanity buried beneath his bluff policeman's exterior, while the young and the enthusiastic journalist George Purefoy seems like exactly the sort of person that Newbury might very well want to take on as an apprentice.

I'm definitely looking forward to reading the next book in sequence which, I assume given some dark hints towards the end of the book, may have something to do with Amelia Hobbes' transfer from the asylum at Wandsworth to the Grayling Institute, the demesne of the Queen's Physician, Dr. Fabian.
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In an attempt to get back in to the habit of blogging about books, here are a few thoughts on George Mann's steampunk mystery, The Affinity Bridge, which I read on my rather delayed journey back to the Midlands at the tail end of last year.

The novel, set in an alternate version of London in 1901, imagines a world driven by sophisticated coal and clockwork technology. A world where steam-powered hansom cabs are becoming a regular fixture on the roads and automaton-piloted zeppelins are starting to fill the skies. A world where the upper classes live well, waited on and entertained by clockpunk robots; while the members of the lower orders who aren't being killed by a mysterious glowing policeman are instead at risk of catching a hideous plague running rife in the East End, that induces a form of living death.

Sir Maurice Newbury, ostensibly of the British Museum, is in fact one of Queen Victoria's top Crown Investigators and an expert on all things occult. With the aid of his assistant, Miss Veronica Hobbes, and large quantities of earl grey, he finds himself investigating the crimes the police are unable to deal with. So, when the zeppelin The Lady Armitage crashes, Newbury to finds himself pulled away from his investigation of the glowing policeman and sent off in pursuit of a louche airship magnate and his Gallic inventor partner.

Despite being an enjoyable novel, The Affinity Bridge is not exactly problem free. Firstly, the central mystery plot doesn't really sustain itself for long enough. The eventual solution becomes clear fairly early on in the book, which makes it hard to cheer for the detectives when the finally work out all the answers. Perhaps this is unfair. The reader is given a selective view of events by the author, so that certain key plot points are emphasised; whereas the characters, living through the events of the novel, lack this filtered viewpoint.

Secondly, although the characters do have a life beyond the mystery, it's hard to really feel for them. Veronica is troubled by her parents' decision to commit her sister to an asylum, but the pain of this doesn't really seem to touch on the rest of her life. While Newbury, in the best traditions of detective of detective fiction, has a drug problem, it doesn't seem to affect him much beyond feeling rather embarrassed when he accidentally overdoses on laudanum and has to be rescued by Veronica.

Thirdly, there's a particularly egregious breach of the first law of thermodynamics — or at least there is if Pierre Villiers' description of how his automatons are powered is taken as gospel:

"The device is designed to power itself. When the automaton moves, a rotor inside its abdomen rocks back and forth, ratcheting the winding mechanism and causing the mainspring in the chest to become taut. Effectively, the unit is self-winding, and thus it will never power down, unless commanded to do so. If left inactive for long periods without instruction, the unit will eventually move itself to trigger the winding mechanism."

Mann, G., (2008), The Affinity Bridge, Snowbooks, 101

I suppose this could be considered a quibbling objection, given the unlikely nature of the rest of the clockwork technology, but I'd argue that those are all differences of degree whereas this is a clear impossibility. And one that could easily have been avoided by skipping, or having Villiers dodge, this section of the explanation of how the machines work.

But it's not all bad. Newbury is, after a pot of earl grey at least, a cheerful and dynamic hero who, despite his bookish background, seems quite prepared to chase monsters through the fog when the occasion demands it. Veronica, too, is good fun: clever and resourceful; able, once she has convinced herself that she won't be showing her ankles to anyone improper, to kick down doors; and a good match for Newbury in the schmoozing stakes. And the characters have a nice Brief Encounter type relationship with each other, with both aware of an attraction, but neither really willing to say or do anything about it in case it jeopodises their friendship.

While it might seem as though I'm negative about the book, I'm not. It kept me entertained on an unpleasant train journey, I enjoyed it enough to buy the sequel, The Osiris Ritual, and I'd happily recommend to anyone after a light, steampunk thriller.

sawyl: (Default)
Seeing this deeply fabulous steampunk Mac has set me wondering. In the old days, Cray used to be willing to trick up supercomputer to match the whims of their clients or the colours scheme of their computer suites. So, my question is, do any of the the heavy hitters still do this and, furthermore, would they be willing to set something up with big brass cooling pipes, scroll work on the chasis and a Frankenstein meter on the front showing the current FLOP count?
sawyl: (Default)
Even though I'm not really in the target age group, I'm really enjoying BBC 7's series of readings by Adrian Rawlings from Philip Reeve's Mortal Engines. It has hints of China Mieville, Final Fantasy and other classic steampunk, but a charm all of it's own.
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Somehow over lunch, I got on to the subject of pneumatically amplified gramophones, despite being a big vague on the details. I couldn't remember what the things were called but I vaguely remembered something about the involvement of one of the Short Brothers and something to do with turbines. Well, it turns out that player things were called Auxetophones, the Short was Horace Short and the turbine connection was Sir Charles Parsons.

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