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Following on from Thursday's version of the Benedictus from the B-minor Mass, here Karl Richter's rather charming take on the same piece from the late 60s:


The differences are striking: a solo violin taking the obbligato part, much larger orchestral and choral forces, modern instruments, slower tempi, and a generally more romantic style of performance. But the piece still works and the da capo repeat of the Hosanna that closes clip certainly flatters Richter's huge choir and modern brass.

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